by K.M. Richards
This is the story of a true rarity in the history of television ... a non-commercial educational station which lost its license because it lied to the Federal Communications Commission.
It is also a story which, had history taken a different direction, might have been one where the UHF station involved would have been on the VHF channel of the station that owned it in the end. The story involves more than a half-dozen other stations, either directly or indirectly, and it is a story which spans nearly 67 years. I hope it makes for interesting reading.
Our saga begins on November 26, 1947, when the Rev. Dr. Sherwood H. Patterson, owner of KSAN/1450, filed an application for the unassigned channel 9 in San Francisco. At that point in time, three of the six channels allocated to the Bay Area had been taken: Channel 4 by the San Francisco Chronicle, channel 5 by the owners of KSFO/560, and channel 7 by ABC, which owned KGO/810. Patterson was in competition with Television Productions, Inc., the division of Paramount Pictures that owned KTLA/5 in Los Angeles, which had been the losing applicant for channel 4 and subsequently given permission by the FCC to reinstate its application as modified for channel 9. Patterson apparently felt outgunned by Paramount, as he withdrew the application shortly after the comparative hearings began May 24, 1948.
Patterson probably should have stayed in the proceedings: On December 16, 1948, the FCC denied the Paramount application when upholding its earlier 1946 decision that Paramount controlled the DuMont television network and its three stations as a result of its investment in DuMont in 1938. Three months earlier, on September 30, the FCC had frozen the granting of new television licenses, and with no valid applicant for it the channel 9 allocation remained vacant; it was redesignated as non-commercial educational in the 1952 post-freeze channel allocation table.
Fast forward to April 29, 1953, when the Rev. Dr. Patterson's second attempt at obtaining a television station authorization resulted in his being issued the construction permit for channel 32 in San Francisco. KSAN-TV began operation less than one year later, on March 15, 1954 ... making it the ninth UHF in California and the first in the Bay Area (although KTVU/36 Stockton had a transmitter site in the Diablo Mountains which also covered much of the northern part of same, a site later used by KOVR/13). The schedule was heavy on sports, including telecasts of the minor league San Francisco Seals baseball team and same-day films of horse racing in both the Bay Area and Los Angeles, with "Country Lee Crosby and His Western Show" on Saturday nights (Crosby was also a disc jockey on San Rafael's KTIM/1510). Sometimes the juxtaposition of baseball and horse racing caused an odd broadcast schedule, such as on Thursday, April 29, 1954, when the Seals played an afternoon game but the racing films were scheduled for their usual evening timeslot of 7:00; channel 32 signed on that day at 12:45pm for the game, then afterwards filled airtime with free films provided by industry and public relations firms -- popular as filler for television stations up until the end of the 1970s -- until the races, then telecast its nightly 7:30 newscast and signed off at 7:45! (The Seals' schedule caused Patterson a significant amount of grief, actually: He claimed the station's original contract called for four night games per week, only to have the team move its Wednesday and Thursday games to afternoons about a month after KSAN-TV first signed on. The team's response in the press to his complaint was that there was no provision requring night games, and that "it is better to go along ... and have games to telecast, even if only two, or fight [the team] and wind up with no games.") Absent the baseball games wreaking havoc with its schedule, KSAN-TV normally signed on at 5:00pm -- after a few weeks of starting at 6:45pm -- the exception being Mondays, when there were neither races or baseball games scheduled and channel 32 didn't even bother to turn the transmitter on at all. When baseball season ended in September, the requisite ancient movies that practically all independent UHFs relied on in that era were added to the schedule, often filling as many as three daily timeslots.
Less than one month before KSAN-TV's inaugural broadcast, KTRB-AM/FM, on the other side of the Diablo mountain range in Modesto, was granted a construction permit for KTRB-TV on channel 14. In the interim, channel 9 went on the air as KQED June 10, 1954. More on both in a moment.
While in July 1955 Patterson told Variety that the station had been operating in the black since May, by KSAN-TV's two-year anniversary things were bleak. Appearing at a FCC hearing on deintermixture in March 1956, Patterson said had "lost hundreds of thousands of dollars" because the market was only 25% converted to UHF despite his extensive coverage of local sports which had brought him what viewers he had. (The old movies were relegated to a late night time slot when Seals baseball resumed in the spring of 1955, then disappeared entirely after Thanksgiving weekend.) Meanwhile, construction permits were granted for channels 20, 26 and 38 in San Francisco, and for channel 48 in nearby San Jose. (Of those, only the channel 20 CP survived, eventually going on the air New Year's Day 1968.)
Patterson may have been overly optimistic about viewership on KSAN-TV, even with his sports-heavy schedule; Hayward Daily Review entertainment reporter Ellis Walker reported in his column of April 9, 1954 that "judging from what I witnessed on the monitors Monday night, it would be my advice to leave your money [for a UHF converter and antenna] in the bank. The station doesn't even appear able to put out a clear signal on a closed circuit. The baseball games won't show up too well through a snowstorm. And it certainly looks stormy ahead for KSAN-TV."
And absent major sports coverage -- or even ancient movies -- KSAN-TV's programming certainly wasn't going to create an incentive to convert to UHF. TV Guide's March 3, 1956 issue showed them operating only on weekdays, signing on at 5:00pm and off at 10:00pm, with a schedule that even the most casual of viewers would call "cheap":
5:00 - Adventure LandChannel 32 had one "personality" ... Lucile Lando, who worked for the co-owned radio station; Lando, the first (and perhaps only) white female to have an R&B radio program in that era, hosted what few local programs KSAN-TV had on its schedule. These included Around The Bay on Tuesdays, Thursdays and Fridays (typical listing: "The National Therapy Association sets up a complete clinic before the cameras with the aid of Letterman Hospital"), a weekly Teen Time program (which was also the name of her radio program) that pre-empted the regular 5:00 hour on Wednesdays, and Ring-A-Bell (apparently an interview program, and probably titled as a homage to San Francisco's famed cable cars) at 7:00 on Thursdays. It also seems that the other "listings" were little more than umbrella titles for the free films provided by industry and public relations firms that were popular as filler for television stations up until the end of the 1970s; these also filled the odd gaps in KSAN-TV's schedule, such as on Mondays and Wednesdays when Around The Bay didn't air.
And in retrospect, "stormy ahead" may have been an understatement on Ellis Walker's part: In 1955, while commenting on the deintermixture proceedings, the Rev. Dr. Patterson filed a petition to allocate channel 11 to San Francisco and move KNTV San Jose to channel 12. KNTV, of course, was opposed, and that petition got nowhere (and it likely wouldn't have been technically feasible anyway); Patterson turned right around and filed a more convoluted petition with the FCC on October 12, 1956 that would have moved channel 13 from Stockton to San Francisco, moving educational channel 6 from Sacramento as a replacement in Stockton and substituting channel 19 as Sacramento's non-commercial allocation, coupled with the issuance of a show cause order moving KSAN-TV to channel 13. Given that the FCC approved the move of KOVR from Mount Diablo to Butte Mountain less than a month later, on November 8, one could have probably seen the denial of Patterson's second petition coming.
Having now been twice denied a VHF channel for KSAN-TV, Patterson changed tactics. Two years after his previous appearance at an FCC hearing, as the Commission deliberated on whether or not to allow over-the-air subscription television, Patterson -- who appeared to completely support UHF despite his own losses -- again appeared, in support of STV, saying it could be the "salvation" for struggling UHF stations. Patterson pointed out that he had been unable to negotiate rights to telecast games of the recently relocated San Francisco Giants baseball team because they "would not consider any arrangement except on a subscription television basis." He also said he would "go out of business if a wired system gets started in San Francisco before a broadcast system is authorized."
Less than six months later, on June 21, 1958, Patterson took KSAN-TV dark. Bob Foster, the television columnist for the San Mateo Times, noted that when they pulled the plug "hardly anybody noticed the difference."
In November 1960, two related events occurred: The CP for channel 43 in Visalia, south of Fresno, was issued to Patterson's son Norwood, and KTRB-TV's CP was deleted by the FCC for failure to construct (and by that time, it too was tied to the Fresno market, as the permit had been purchased by KJEO/47 with the intent of operating it as a satellite). The KTRB deletion created an opportunity for the College of San Mateo (just south of San Francisco); in October 1961 the National Educational TV & Radio Center petitioned the FCC to move the channel 14 allocation from Modesto to San Mateo and make it non-commercial.
On December 23, 1961 Norwood Patterson put KICU-TV/43 on the air with a schedule typical of an independent UHF in those days ... movies, a handful of off-network reruns and syndication, and a local kiddie show hosted by "B'wana Don", later adding high school football and basketball games and other local sports coverage, and network programming not cleared by the Fresno affiliates (notably G.E. College Bowl from NBC and The Nurses from CBS in the 1963-64 and 1964-65 seasons, adding NBC's The Bell Telephone Hour and Let's Make A Deal the season after that). KCSM-TV/14 received its CP within the following year and began operation October 12, 1964. Modesto received a channel 17 allocation to replace the one moved to San Francisco and was the channel specified in the original application for KLOC-TV that year, only to be replaced by channel 19 two months before beginning operations in 1966 because the transmitter site ended up short-spaced by 11 miles to ... KSAN-TV!
But in 1965, Sherwood Patterson was fighting just to keep the license for KSAN-TV alive, as it had now been dark for close to seven years; after yet another appearance at a hearing, he was given a six-month extension by offering to return to the air as a satellite to his son's KICU-TV. He resumed operation on that basis on February 19, 1966 for two or three hours each day. (As the Fresno station was an affiliate of the United Network, one might have wondered if The Las Vegas Show might have ended up airing in San Francisco after all, on channel 32 ... but message board posts by some who had viewed the resurrected KSAN-TV said the simulcast hours were entirely in the afternoons.)
At this point the licensee of non-commercial KQED/9, Bay Area Educational Television Association (BAETA), officially enters our story with their application for a second station, to be called KQEC, on channel 60; the CP for KQEC was issued April 24, 1967.
Meanwhile, Patterson made a deal with Metromedia, which had been built on the foundation of the two owned-and-operated stations of the DuMont Network as Metropolitan Broadcasting and had expanded to California with their 1960 purchase of KOVR/13 Stockton from Gannett and 1963 purchase of KTTV/11 from the Los Angeles Times; Metromedia was eager to acquire a station in the growing San Francisco market but found none of the VHF station owners willing to sell and, deciding it was better to purchase and upgrade an existing UHF station than to build one from scratch, purchased KSAN-TV for $1,210,000. Approval of the sale was delayed while the FCC considered changing ownership limits, during which time KSAN-TV limped along with its simulcast of KICU-TV, going dark when the sale to Metromedia was approved on March 22, 1968.
Metromedia did a hurried upgrade of the channel 32 transmitter and returned to the air as KNEW-TV July 1, 1968, while their new studios at 1011 Bryant St., a building which had originally been a blacksmith's shop, were still under construction. (The KSAN call letters were moved to Metromedia's KSFR/94.9, which had just changed formats to progressive rock.) Local newspaper critics, comparing it to KTTV, found the new channel 32 "a disappointment" in its airing of old episodes of PDQ, Truth Or Consequences and The Woody Woodbury Show when newer shows were being taped and broadcast in Los Angeles.
KQEC received an extension on the channel 60 CP later that year, but by the summer of 1970 had still made no progress in building the new sister station to KQED and filed for another extension.
Just before KQEC received that second CP extension, Metromedia proposed to donate KNEW-TV to the Bay Area Educational Television Association under a "distress sale" waiver, saying they had spent $1.8 million before deciding their "investment [had] not produced proper coverage for the area." Pending approval of the transfer, BAETA renamed itself KQED, Inc. and filed a request to swap the KQEC channel 60 non-commercial allocation for the commercial one on channel 32 (which was actually approved six months after KQEC went on the air).
In the year that elapsed between Metromedia's offer to KQED and its formal acceptance, it seemed -- as the San Mateo Times phrased it -- that KNEW-TV was "all but going out of business," operating only 28 hours a week and airing only programs owned by its parent company. Metromedia went dark in the Bay Area on April 15, 1971 (coincidentally, KUDO/38, which would become KVOF-TV three years later, did so on the same day); ten days later KQEC filed to change its CP to the channel 32 facilities on Mt. Sutro and began operation June 28, 1971, only to find themselves unable to properly program both stations separately; on April 5, 1972 they were given a 90-day waiver to simulcast KQED on KQEC and channel 32 again went dark two months after that waiver expired, on September 2.
While KQEC was off the air, its former allocation of channel 60 finally got a tenant, as Spanish International Network received a CP for KDTV on November 13, 1974 and began operations on August 10, 1975. KQED, Inc. likely didn't even notice, as it was trying to renew the channel 32 license; on December 17, 1975 they were told to resume operations by the following March 29 as a condition of renewal (the FCC subsequently extended that date to January 2, 1977, a deadline which they barely managed to meet).
Shortly after KQEC returned to the air, KCSM-TV and KDTV filed a joint request to make channel 60 non-commercial again, as SIN offered to donate its facilities to KCSM-TV in order to broadcast on the more desirable channel 14 allocation. This was approved by the FCC and the swap took place March 5, 1979.
However, while that swap was being engineered KQEC was having more problems, as the Community Coalition for Media Change and the California Public Broadcasting Forum filed petitions to deny channel 32's 1977 license renewal, primarily on the grounds that KQEC had spent more time off the air than on, and had simulcast channel 9 for nearly all the time that they had managed to operate. (This was despite the statement in a 1972 letter from KQED, Inc. to Ben F. Waple, then Secretary of the FCC, that the second station was needed to air programming in the area of adult education, as well as "community programming, originated by and directed to the many ... ethnic minorities in the San Francisco Bay Area.") That renewal, as well as the subsequent 1980 renewal, were ultimately approved, and reaffirmed by a Memorandum Opinion and Order ... by which time KQEC had gone dark for another six months, from November 5, 1979 to May 29, 1980.
The public interest groups that had challenged the license renewals turned to the U.S. Court of Appeals after the Minority Television Project filed an application on November 1, 1983 challenging the next renewal of the KQEC license. In the appeal, the groups claimed that KQED, Inc. had lied about KQEC's latest dark period; KQED had told the FCC that they needed to go dark to replace "inferior" equipment inherited from Metromedia (which the latter quickly and vehemently denied) but, it was claimed, actually did so for purely budgetary reasons. In January 1985, the appellate court ordered hearings not only on KQEC's license renewal but that of KQED and KQED-FM/88.5 as well; the administrative law judge assigned to the hearings, James F. Tierney, allowed a review of the programming of all three stations prior to the licenses being placed in jeopardy to see if the misrepresentation of the dark period could be mitigated by KQED's performance as a licensee. Tierney ultimately issued an initial decision January 16, 1987 renewing KQEC's license and denying the competing Minority Television Project's application for channel 32.
If Jerold M. Starr's accounting in his book Air Wars: The Fight to Reclaim Public Broadcasting is correct, then so were those challenging KQEC's license renewal; Starr wrote that Anthony Tiano, who was hired as KQED's general manager in 1978, decided to implement capital improvements -- including installation of a new master control routing switcher -- which would have required channel 32 to either move or rent/purchase standby equipment. Despite that being estimated as costing a maximum of $5,000 Tiano "temporarily" suspended operations then told the KQED board that leaving KQEC dark for a longer period would "help reduce the station's large budget deficit" which at the time was estimated at being at least $500,000. They gave the public the same excuse, but when it came time to report the extended dark period to the FCC their story was that a delay in shipment of the new switching system was the reason. It was Larry Hall, then president of the California Public Broadcasting Forum, who discovered the misrepresentations while reviewing FCC records and used the discrepancy -- which was a direct contradiction to the FCC mandate at the previous renewal -- to file the second challenge to KQEC's license in 1983.
In any event, MTP appealed Tierney's decision, which brought the matter before the FCC Review Board in December 1987. On April 18, 1988 the Review Board revoked KQEC's license and awarded channel 32 to MTP. KQED appealed, got a stay of the decision, and (miraculously, it seems) managed to keep channel 32 on the air through the entire challenge/appeal/hearings/review process.
This already strange story took a bizarre twist at that point: On November 13, 1989, KQEC announced a joint venture with KRON-TV/4 for a 24/7 "Bay News Center" service, which would be produced by KRON-TV and both aired on KQEC and fed to cable systems with commercials (KQED to receive 20% of those proceeds) while KQEC covered the breaks with PSAs and promos. Before that idea could move forward, though, the full Commission voted on February 8, 1990 to deny KQEC's latest license renewal and re-awarded the channel 32 license to MTP, using the KQEC facilities. KQED appealed again, was denied by the FCC a year later, and moved on to the appellate court ... only to withdraw their motion to dismiss the license renewal decision in May 1991, saying "we simply need to move on." They continued to operate KQEC until August 30, 1991 to give MTP time to prepare for commencing operation, then went dark; KMTP-TV went live the next day using the same former KNEW-TV transmitter on Mt. Sutro that KQEC had inherited.
In recent years, KMTP-TV challenged the FCC in its own right. In 2002, the FCC levied a $10,000 fine against them for showing paid commercials that did not meet the standards for underwriting announcements; after being denied an appeal they filed a lawsuit against the FCC in U.S. District Court over the Commission's standards, including charges that the FCC standards do not take into account foreign language broadcasting. KMTP-TV achieved only a partial victory: On April 12, 2012 the U.S. Ninth Circuit Court of Appeals ruled that non-commercial stations can air advertisements for both candidates and political position statements as protected free speech, but sided with the FCC at the end of 2013 that the government "had a vested interest in maintaining public television without the influence of for-product sponsors." The U.S. Supreme Court decided on June 30, 2014 not to hear the case, but did not comment on why it chose not to do so.
After KTVU/36 went dark on April 30, 1955 the call letters were reused for channel 2 in Oakland when it began operation March 3, 1958. Channel 36 was reallocated to San Jose and went live as KGSC-TV on September 3, 1967; it changed call letters to KICU-TV March 27, 1981 after the Visalia license was finally cancelled (see below). KTVU/2 and KICU-TV/36 have operated as a duopoly since 2000.
KICU-TV (the Visalia one) continued operation for several months after KSAN-TV signed off, even airing a significant amount of NBC prime-time programming that summer while KMJ-TV/24 carried Oakland A's baseball (as well as daytime's Match Game and Let's Make A Deal, which KMJ did not clear), then went dark October 18, 1968. The next day, Norwood Patterson told the Fresno Bee that channel 43 would resume "in six to eight months" from a new transmitter site; it was later revealed that Patterson was undercapitalized, and apparently operated his various corporate enterprises by standing off creditors, including the government. He was indicted a year later on charges that he had failed to pay more than $140,000 in federal withholding taxes from 1965 until 1968 and found guilty July 3, 1972; the convinction was upheld on appeal. KICU-TV's authority to remain dark expired December 19, 1970 but the license was not cancelled until April 1, 1975; channel 43 was made a non-commercial allocation June 22, 1977 and then moved to Fresno as a commercial allocation April 10, 1981. It is now licensed as KGMC, the only full-power station owned by LPTV entrepreneur (as of mid-2014 he owned 27 of them, in Central California and Boise ID) Gary Cocola.
KCSM-TV moved to channel 43 in the switchover to digital television broadcasting, and discontinued analog operation early -- in May 2004 -- after losing the lease on the Mt. Bruno transmitter site that it had inherited from KDTV. In 2013, believing it was a candidate for having its spectrum auctioned, the the San Mateo Community College District entered into an agreement with investment firm LocusPoint Networks to act as their representative and split the proceeds. For reasons that were not made clear even after the district sued LocusPoint in 2017, KCSM-TV was not added to the FCC list of stations with biddable spectrum. After the lawsuit was settled, KCSM-TV was sold in May 2018 to noncommercial broadcaster Rural California Broadcasting Corporation, which already owned PBS affiliate KRCB/22 in Cotati (north of San Francisco, in wine country). They changed the call letters to KPJK at the end of July, and the station's RF signal will move to channel 27 in the second repack of digital television.
KMTP relinquished its channel 33 digital assignment in the aforementioned spectrum auction and since mid-2018 has operated as a channel share with KEMO/50 and KOFY-TV/20 on KCNZ-CD's channel 28 transmitter. All four will move to channel 21 in the second repack.
Thanks to Jim Ellwanger for providing the KSAN-TV program information and the TV Guide channel listings.
Site concept © Clarke Ingram. Site design by K.M. Richards.